Cockroach was by far my favourite piece of literature this year,
and can definitely be classified as one of my favourite novels. Ironically after
the few pages, I was not a fan of the story, but grew increasingly more
interested in where the narrator was going to go. Post tutorial; the many perspectives
and opinions on the ways in which the narrator would transform himself into a
sub-human being fascinated me. Many found this surrealism to be the grasping
point of the novel, the part where to understand the story as a whole would be
to accept the possibility of the reality of this transformative character. I
found myself gradually making my way to this conclusion as well, but did not
know how to quite explain this progression of acceptance. I did not at all feel
the weight of the negativity thrown upon Canadian society by the narrator, yet
I also didn’t feel fully sympathetic to him either. My perspective was strictly
from an outside readers view, grasping the concept of surrealism, but not quite
understanding the connection. This detachment from understanding the narrator
is what I found so fascinating, and drove me forward in reading.
Monday, 23 March 2015
Scorched
If any text this year rendered me speechless because of a major “shock
factor”, it would be Wajdi Mouawad’s play Scorched.
If I were to describe the scene in which I was exposed to the climax of the
story, it would have to be one of those “you had to be there moments”.
The link above is to a song called “Elephant Gun” by Beirut. The
correlation I made between the author of this play and the artists’ lyrics was
their strong relations to “home”. In Scorched,
the setting is anonymous but it is implied that the main character, Nawal, is
from somewhere in the Middle East. This epic that integrates family drama
throughout the narrative is concerned with the past and the present,
intertwining their effects on each time frame.
The literal place that is “home” is a missing and searched for emotional
destination that has been displaced through civil war and disintegrating
familial bonds. Home is not always a place, but an emotion that can be felt
through the presence of cultural nostalgia.
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